Filters by type
Whether you're a photo novice or a photo pro, a filter is a great addition to your camera to get pictures done that wouldn't be possible without filters. They come in a variety of styles and in some cases make an image either look more vibrant or have a more somber effect. There are inexpensive filters and expensive filters, but it doesn't depend on how much money you invest, but more on the effect you want to achieve with the filter. The filters in both price ranges are nowadays built in such a way that they hardly make the image quality worse. To help you decide which filter is best for you, we have compiled an overview below of which filters are suitable for which purposes:
- Manfrotto polarizing filter
- water-repellent, scratch-resistant and oil-repellent
- Light transmission of 68.1 %
- Reflections are minimized and maximum light transmission is achieved
- incl. reusable filter can
- made in Japan
Manfrotto Advanced circular polarizing filter E 67
- water-repellent
- Light transmission of 68%
- increases color contrast and saturation
- reduces reflections
- incl. reusable tin
- made in Japan
Manfrotto Essential Circular Polarizing Filter E 58
- 1 1/4 inch neutral density filter
- Optical density: 0.6
- Transmission: 25%
- Attenuation factor: 4x
Baader OD 0.6 ND filter 1¼" multi-coated T=25%
- NiSi V7 Advanced Kit
- V7 filter holder incl. True Color CPL
- Adapter rings for 77mm, 72mm and 67mm lens diameters
- GND8 0.9 Medium - 3 stops
- GND8 0.9 Reverse - 3 stops
- IR ND64 - 6 stops
- IR ND1000 - 10 stops
- Bag for your filter holder incl. up to 8 filters
NiSi Advanced Kit
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Your individual consultation - from the comfort of your sofa
- NiSi V7 Night Kit
- V7 filter holder incl. True Color CPL
- Adapter rings for 77mm, 72mm and 67mm lens diameters
- Star Soft Filter
- Natural Night Filter
- Bag for your filter holder incl. up to four filters
NiSi Night Kit
POLARPRO Quartzline FX Goldmorphic Filter 82mm
- Color filter yellow
- Diameter 49mm
- especially suitable for Leica Q2 Monorchrom
- creative effects with light and contrast
- high transmission without vignetting
Leica Filter yellow 49mm
- Color filter green
- Diameter 49mm
- especially suitable for Leica Q2 Monorchrom
- creative effects with light and contrast
- high transmission without vignetting
Leica Filter green 49mm
- NiSi gray filter 100x100 ND Extreme Kit
- the ND Extreme Kit contains:
- ND8 0.9 - 3 stops
- ND64 1.8 - 6 stops
- ND1000 3.0 - 10 stops
- ND32000 4.5 - 15 stops
- Filter bag, cleaning cloth, 4 replacement moss rubber seals for your ND filters
NiSi Gray filter 100x100 ND Extreme Kit
NiSi Adapter ring
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105 mm
Dieser Artikel wird exklusiv für Sie bestellt.
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39mm
Dieser Artikel wird exklusiv für Sie bestellt.
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58-95mm
Dieser Artikel wird exklusiv für Sie bestellt.
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60mm
Dieser Artikel wird exklusiv für Sie bestellt.
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72mm
Sofort lieferbar.
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82mm
Dieser Artikel wird exklusiv für Sie bestellt.
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95-105mm
Dieser Artikel wird exklusiv für Sie bestellt.
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für M75
Dieser Artikel wird exklusiv für Sie bestellt.
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M75
Sofort lieferbar.
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S5/S6
Dieser Artikel wird exklusiv für Sie bestellt.
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S5/S6 Alpha/S6
Dieser Artikel wird exklusiv für Sie bestellt.
- H+Y REVORING 37-49mm filter adapter
- suitable for 52mm filters
- robust step ring adapter
- suitable for several Lens with different diameters
H&Y REVORING 37-49mm Filter Adapter for 52mm Filter
- Gray gradient filter
- Soft | GND 8 | 0.9
- soft gradient
- 150 x 170
- made of optical glass with nano-coating
- waterproof and oil-repellent
NiSi Graduated filter 150x170
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Hard nano IR GND(8)0.9
Dieser Artikel wird exklusiv für Sie bestellt.
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Medium nano IR GND(8)0.9
Dieser Artikel wird exklusiv für Sie bestellt.
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Reverse nano IR GND(8)0.9
Dieser Artikel wird exklusiv für Sie bestellt.
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Soft nano IR GND(32)1.5
Dieser Artikel wird exklusiv für Sie bestellt.
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Soft nano IR GND(8)0.9
Dieser Artikel wird exklusiv für Sie bestellt.
- Neutral density filter (ND) for uniform reduction of the amount of light
- higher motion blur and detail accuracy
NiSi IR ND4 2 stops
- A series for Lenses with a filter thread up to 62mm
- recommended from a focal length of 35mm (related to KB) onwards
- creates a speed effect
Cokin 216 Speed A
Meaning of the delivery status
Immediately available
The item is in stock and can be shipped at short notice.
The item is also in stock in our shop in Düsseldorf.
Am Außenlager. Lieferzeit 4-6 Werktage nach Zahlungseingang
Der Artikel ist vor Ort in unserem Hauslager nicht vorrätig und wird nach erteiltem Kundenauftrag am Außenlager/beim Hersteller bzw. Disributor bestellt. Die zu erwartende Lieferzeit beträgt 4-6 Werktage.
Item has been ordered
The item has already been ordered from the manufacturer or distributor. The delivery time is usually between 1 week and 2 months. As soon as a more precise delivery time is known, we will publish the details on our website. After placing the order, you will be informed regularly about the delivery time.
Available at a specified date
The item has already been ordered from the manufacturer or distributor. We have been informed of the expected delivery date.
This item is ordered exclusively for you
The item is currently not in stock and will be ordered for you from the manufacturer or distributor after you have placed an order. The delivery time is usually between 1 week and 2 months. After placing the order, you will be informed regularly about the delivery time.
Item has been ordered. Delivery time 1-3 months
The item is currently not available. We were not given a delivery time. Experience shows that the expected delivery time is 1-3 months.
Currently not available
The manufacturer or supplier cannot confirm a date, so we assume a waiting time of 2 to 9 months. You can still order the item and secure your place on the waiting list.
Please note: Despite updating our website regularly, it is possible that an item may be out of stock but shown as available for a short time, especially when orders are high. All information is therefore without guarantee. We will inform you immediately if there is a delay in the expected availability/delivery time. The availability information refers to an order quantity of 1. Availability may vary for higher order quantities.
Delivery alarm
You would like to be informed as soon as the item is in stock?
Notification when the product is back in stockNo reservation and no place on the waiting listYou want to reserve the product?
Order now, pay later (prepayment)Notification when the product is back in stockProduct reservation and fixed place on the waiting listCancellable at any time free of charge (until delivery)Protection - and UV filter - Filter to protect the front lens
The question is often asked whether a protective filter is really necessary. Many do without a protective filter because the quality can be downgraded, since the filter serves like a kind of protective glass. The incident light ultimately causes a reflection. In backlit situations, this results in so-called ghosting and flaring. In night shots, the reflection brings unwanted lights into the picture that are not on the subject. However, if a high-quality filter is used, the effect can be minimized and it no longer occurs so strongly.
A UV filter is no longer absolutely necessary, since today's sensors are not sensitive to UV light, unlike the earlier ones. In the worst case, such a filter rather worsens the image quality, because the light is already reduced in front of the sensor. But this is usually only the case with cheaper filters.
find more protection filters
So why would you need a protective or UV filter?
Some photographers who are often exposed to adverse conditions for photography or filming, such as the sea, where the salt content is high, or in the desert, where sand can quickly get into the front lens. Then, most photographers rely on such filters. The filters seal the lens and thus ensure a longer life of the front lenses. A scratched front lens and damage to the coating, can not be replaced as easily and cheaply as a filter.
find more UV filters
Polarizing filters - No desire for reflections?
If you often have to deal with reflections, then polarizing filters are just the thing. They are often used for landscape shots or at the water, because the rising water vapor often reflects the light unwanted.
It can also, all reflections on non-metallic surfaces such as glass surfaces or water filter out. In the photo, it is then easier to see what is behind the subject, since reflections do not appear as usual. Depending on the angle, however, it can not always be prevented, because even the filter in certain situations can not filter out everything and reflections can sometimes even intensify.
find more Polifilter
Gray filters - perfect for long exposures
The gray filters manage to reduce the light without sacrificing the light color. If you want to achieve long exposure times even during the day, this is no problem at all with the gray filter, because it manages to achieve a shallower depth of field in bright shooting situations. It also ensures that especially waterfalls, rivers, fog and haze, for example, become motion blur in daylight.
So who are gray filters for?
They are perfect for photographers who take photos during the day. In fact, they are basically used to be able to take long exposures in daylight. It is not necessary in principle, but the filter provides a certain effect that many photographers want.
It is also often used in films, because it can show some situation better and more emotional.
find more gray filters
Close-up lens filters- ideal for getting started with macro photography
Close-up lens filters are ideal for macro photography. The filter is a good alternative for novice photographers who do not want to put on a special macro lens. It magnifies the subject to loupe size and is helpful when you want to get close to objects, as nothing gets blurred at a short distance. It is still possible to get a sharp photo, but deterioration is also possible in some situations.
find more close-up lens filters
Graduated filters - to create an exciting effect
A graduated filter is a good way to compensate for unwanted contrasts. This is because, unlike a gray filter, it is only partially darkened or colored. Contrast differences are a common problem, which is why a graduated filter is perfect for compensating for an annoying contrast. The filter darkens contrasts, giving the finished image a uniform contrast. In landscape photography, for example, the sky is darkened so that the contrast in the images is consistent. The only alternative how to prevent contrast without a graduated filter is to shoot HDR, but this is only possible when shooting video with a tripod.
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Infrared filter- only infrared light comes to the lens
With infrared filters, only infrared light is allowed to pass through the filter. So it is not as many assume that the infrared light is filtered out. They are also called blocking filters because they block the color from hitting the sensor. They can only be used by special cameras that have removed the infrared filter that is on the sensor. Infrared light is often found in nature because plants reflect it strongly. In summer, this creates incredible images, because only all the infrared effects come through the filter, and so the plants are displayed differently. With infrared photography, a whole new era has formed over time, as more and more photographers occasionally work with this effect.
find more effect filters
Conclusion
The filters are quite easy to attach to a lens. They work similarly to the protective cap that is on the front of every lens for protection when you buy a new one. The screw-on filter, as it says in the name, screws onto the front of the lens. When buying a filter, it is important that the diameter of the lens thread matches the diameter of the filter. The size can be easily found in the manual or on the top edge of the lens.